Embodied music cognition
Embodied music cognition as it was originally a direction within systematic musicology interested in studying the role of the human body in relation to all musical activities, actually acquired also the meaning of an approach to music feeling and performing through body; in other words: "Corporeal Musicality". But by an historical point of view we can coming back to an essay of Francisco Varela in 1991 where we can find the root of thinking the body as true location of mental experiences.