Polyvision

Polyvision was the name given by the French film critic Émile Vuillermoz to a specialized widescreen film format devised exclusively for the filming and projection of Abel Gance's 1927 film Napoléon, its three-projector format predating Cinerama by 25 years. Polyvision involved the simultaneous projection of three reels of silent film arrayed in a horizontal row, making for a total aspect ratio of 4:1 (1.33×3).

Source: Wikipedia — Polyvision (CC BY-SA 4.0)

Polyvision

Polyvision was the name given by the French film critic Émile Vuillermoz to a specialized widescreen film format devised exclusively for the filming and projection of Abel Gance's 1927 film Napoléon, its three-projector format predating Cinerama by 25 years. Polyvision involved the simultaneous projection of three reels of silent film arrayed in a horizontal row, making for a total aspect ratio of 4:1 (1.33×3).

Source: Wikipedia "Polyvision" · CC BY-SA 4.0

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